MICHIGAN CHRONICLES

December 1963

Detroit’s Theron Hill

Spotlight Performance

After reviewing the 5 W’s of the city’s show whirl (who’s in town, what sort of set, when appearing, where performing, and why go see it?), many would-be nightclub patrons bypass the drudgery of seeking entertainment and settle for viewing most of their favourite performers on a 21 inch screen. 

Although Detroit does not present the most extensive range of activity, it does offer a considerable amount of good talent; the rising young potential, those content with making the grade at home, the gifted who somehow have missed the breaks, and those who were once great and have since faltered. They’re all here, basking in a local spotlight. This is the first of a series

by Rita Griffin

If you happen to catch singer Theron Hill backstage before show time, deep in thought, head bowed, with just the slightest bit of lip movement apparent, he’s not going over the lines of a new tune – he’s uttering a prayer. 

Theron Hill

“This has long been a part of me,” he disclosed. “Before each act I’ve always prayed to perform as a gentleman to the best of my ability.” 

Such a policy is not to be taken lightly for Theron (T-Man) has often been referred to as “the gentleman of song.” And because he has never been exposed as to formal training, with the exception of the Miller High School glee club, he considers his talent to be a gift. 

Being gifted is only the first step to success, however, if one is minus a manager or booking agent. Yet, if it takes a good singer to sell himself to the public, Hill has managed to do this to club owners and patrons of the finest niteries in the Motor City. 

A native Detroiter, T-Man’s entrance to show business began at amateur shows at the old Paradise Theater. It was there he met and later teamed up with the vocal group, the Royal Joker, when graduating from high school. 

The group toured the country together for numerous concert appearances and nightclub engagements while, at the same time, experiencing several hit recordings. 

Then on impulse in 1958, after performing as lead vocalist for the group for some years, Hill departed from the Royal Jokers. 

“The break was not due to controversy,” Theron asserted, “The fellows were a close knit group and we had a great deal of fun, but I decided it was time to settle down.” 

cont. column 2
 

 

 

 

Exotic dancers were a regular feature in Sixties Detroit. Above is a great photograph of one of them, Miyoshi Starr.


from column 1

His venture as a lone artist was short lived, while replacing one of the Four Tops while a vocal member was in the service. It was during the two year stint with the Tops that T-Man discovered what was to be his niche in the entertainment profession. In addition, the style of the late Jesse Belvin, proved to be ample inspiration.

 “The Tops are a smooth and polished group and Jesse had remarkable breath control, perfect phrasing and beautiful diction. My first show as a single, which was performed in ’62 at the 20 Grand, contained the entire album of Belvin’s ‘Mr Easy’.”

In addition to engagements at the 20 Grand, where he is currently appearing with featured artist Maxine Brown, and comic Sandman Howard, Hill has performed at the now defunct Flame Show Bar and the Alamo Supper Club.

That he is his own manager, booking agent, voice coach and arranger, hinders the singer at times, but it never discourages him. 

“I’ve been approached by agents, record firms, and the like, many times” he said, “but I’m looking for someone interested in bettering two careers…. theirs and mine.”

Until then, Hill practices alone with the aid of a tape recorder, listens for new material (he’d like to eventually try a musical production), keeps an up to date professional wardrobe, and listens out for the telephone.


Downbeat Cites Wes Montgomery At Drome Bar

Wes Montgomery, poll winning guitarist, will be presented with a plaque by a representative of Downbeat magazine at the Drome Bar, Dexter at Leslie, Wednesday night between 10 and 11.

Montgomery recognised as one of the world’s greatest guitarists, has been appearing at the popular Dexter Avenue night spot and has been held over until December 8. 



Curvaceous exotic dancer Miyoshi will headline the big live show when Marracci Temple Drum and Bugle Corps presents their eighth annual anniversary dance Saturday December 14th at Prince Hall, 3500 McDougall.

McCrary Flower Shop, 316 Visger; Marion (Doc) Cheatham WA 8-7989; Jerome Hoffman Tele: 4-3166; or the Shrine Mosque, 3101 McDougall. Everyone who likes a good time is invited to attend.

 
 

 

 

 

 

 

You Should’a Been There

By Jim Cleaver

You should’a been at the 20 Grand Thanksgiving nite. It was one of those rare things which will only happen once in a lifetime. 

The Dells, a group of singers from Chicago, were here for one night only and what a show they put on. Working out of the Hi-Lo bag, the harmony they have is fantastic and one is inclined to wonder why they have not made the big time before now. 

As a chaser, they used the voice of the lovely Liz Lands, and the combination is just “out of sight”. Sandman Howard, Toni Leslie and Theron (T-Man) Hill finished out the bill on an already terrific show. 

All too little is said about the supporting acts on a show. The public is inclined to see the entire show and talk about the main attraction and never once give a thought about the acts that helped bring on the main performer. This is definitely unfair to the other acts on the bill. 

Sandman Howard and Toni Leslie did a tremendous job behind the illustrious Johnny Hartman and prior to now, not a word has been mentioned. 

Some of the blame could be attributed to this column, but we are not willing to accept all the blame, and will not do so.


Fosters Other Room is the scene for a rather unusual show on the weekend now. The meditation Singers have been appearing there and drawing a large crowd. This is unusual in the sense that while some people wouldn’t set their foot inside a church to hear a gospel group, they’d pay a cover charge to see them in a night club. 

But the big thing about this is that the group is good and seems to be sincere. This column talked with Laura Rundless, one of the singers with the group and we came away with the impression that there is no foolishness in the group so far as religion is goes. 

We are looking forward to the festivities we know will be going on at Carroll Evans Sugar Hill Bar. It’s always swinging during the holiday season.

The “Night People” are beginning to get over the death of the President, and the clubs are starting to swing again and really You Should’a Been There.Dillard Fans Jam Frolic Bar

Norman Dillard is going strong at the Frolic Show Bar and fans are packing the house every night. Just a few nights ago, a couple of young ladies wanted a souvenir to show they had seen and heard the organist Norman Dillard. 

To satisfy their wants they went outside and pulled down the signs from the front of the club…..almost fighting over the torn parts. 

 

 

 

 

 

music: "Can I Get A Witness" -  Marvin Gaye (Tamla 54087a)

Material from the archives of The Michigan Chronicle

With thanks to Anna Savvides of Detroit Public Library

© David Meikle - All Rights Reserved