music :
"Modern Day Woman" - James Shorter (La Beat
6604a)
Beatty lived on Lasalle Street
near the Boulevard and was a successful business man owning construction
companies and motels in various parts of the city. He even owned a motel right
across the street from his new La Beat studio.

Beatty's motel provided
temporary accommodation for some La Beat staff
It is feasible that Lou took
an interest in the recording industry as his sons, Chris and Lou Jr, were
working on commercials at the time.
Regardless, to get the studio
off the ground, Beatty formed a partnership with James Hendrix who was already
running the Carrie label in Detroit after founding it in his home town of
Nashville. Having moved to Detroit in 1959, Hendrix was also issuing material
on The Arabians, Clifford Binns, Cornell Blakely and others from the Motor City.
But Fred recalls that Hendrix
was a low key figure at La Beat and didn't have much to say.

James Hendrix
"I first met Lou Beatty
somewhere between 1965 and 1966, possibly through legendary jazz pianist, Teddy
Harris Sr.
He had this new place on 14th
street, just a block away from my upstairs flat which was sitting close by at
6063 15th .
I just went around and
introduced myself. That was my style, I had confidence man and felt that my
talent and experience could get me in anywhere. I just needed the chance to show
what I could do.
Beatty's investment was a
large 4 family building at number 6070-6076 14th Street. He soon
converted it into a studio, an office and several rehearsal rooms. Most rooms
upstairs were furnished with a piano while downstairs was converted into a
recording studio and control room.
Sadly, the studio was a
horrible job because it was in the front room where large windows were a
prominent feature. To make matters worse we were on ground level, with traffic
laden 14th Street only a few feet away!
Lou soon found an answer to
that however and sent me to a studio in Chicago which had equipment, special EQ,
capable of removing car sounds from recordings! I think I had to do that to most
of Beatty’s catalogue.
I would also do the mixing
there.”

Universal Studios,
one of the studios used by La Beat in Chicago
Needing someone who new the
industry well, Lou then contacted Teddy Harris Snr who had experience of running
a Publishing Company.
So Harris Snr ran Beatty’s
Publishing Company, copied the tunes for the labels and was like an overseer.
“I then joined the company as
Producer grass roots and became Beatty’s musical advisor. Teddy was my boss but
he gave me a free hand and trusted my judgement. I would oversee the session
even telling the arranger what to do so that their role was purely to write down
the notes for the musicians.
Some musicians soon began
hanging around the studio and Beatty gave them a job and some accommodation in
the motel. He gave them the name La Beat Production Team (LPT for short). They
were Johnny Mills on drums, Billy McCoo on bass, Curtis Trusell on guitar and
myself on piano. John Glover was also playing bass on occasion.
I was in that studio 7 days a
week."

Fred shares his memories, but
6072 14th Street is no longer there
(scans
Graham Finch)
Continued